Bobby Benson, 798 Classic Old Time Radio Shows Western and SciFi OTR DVD

Don't be fooled by other collections that claim to contain more episodes.  Many of these shows were aired on multiple dates in reruns, so you have plenty of sellers out there padding their collections with reruns!  We feature all known episodes in existence and do not add "fluff" to our collections to increase our claimed episode count like many others. 

NOTICE: This collection is all in MP3 format supplied on DVD.  You play this in your computer and then can copy all the MP3 files to your MP3 player of choice.  This DVD will NOT play in a regular CD player in your car, or your TV's DVD player, it is intended for your computer only which will allow you to transfer the MP3 files to any device that can play MP3's.  This collection remains the largest most original collection on ebay.

Bobby Benson:

Bobby Benson and the B-Bar-B Riders is an old-time radio juvenile Western adventure program in the United States, one of the first juvenile radio programs. It was broadcast on CBS October 17, 1932 - December 11, 1936, and on Mutual June 21, 1949 - June 17, 1955.

Bobby Benson was created by Herbert C. Rice, who had already originated "dozens of local drama series" as a director at a radio station in Buffalo, New York. In 1932, representatives of the Hecker H-O Company of Buffalo sought to develop a children's radio program for the company's cereal products. Rice associated the "H-O" name with a cattle brand and soon developed a concept about an orphan named Bobby Benson and his guardian, Sunny Jim (an icon used to represent H-O cereals). The program was called The H-Bar-O Rangers while it was sponsored by Hecker.

After his parents' deaths, 12-year-old Bobby Benson inherited the B-Bar-B Ranch in Big Bend, Texas. That development paved the way for adventures as, week after week, outlaws and other bad people tried to cause problems for the ranch and its people. Young Bobby was helped by Tex Mason, his foreman. Jim Cox, in his book Radio Crime Fighters: More Than 300 Programs from the Golden Age, described the program as  capturing the imagination of little tykes and older adolescents as Bobby and his ranch hands stumbled upon exploits well beyond an ordinary youngster's reach. Most of Benson's escapades involved the pursuit and capture of contingents of bandits and desperadoes of diverse sorts. Rustlers, smugglers, bank and stagecoach robbers dotted the scripts like cactus spread across the Western plains.

Relief from the show's drama and suspense came in the form of songs sung around a campfire and humorous tall tales told by handyman Windy Wales. In a column in the May 15, 1938, issue of the trade publication Broadcasting, writer Pete Dixon noted that inclusion of comedy segments boosted the show's popularity: "Bobby Benson & the H-Bar-O Rangers was just another juvenile western until ... comedy characters were introduced in the script. Comedy situations were alternated with melodrama. Within a year the Bobby Benson show jumped from tenth place among juvenile favorites to first place. Comedy accounted for the climb."

In 1949, a reviewer for the trade publication Billboard wrote, "Kids still go for good old-fashioned Western adventure, and this show is loaded with fast action and fancy gun play, yet wholesome enough to please the most exacting parent."

The program was set in the modern West, with devices like automobiles and airplanes in addition to horses.

From 1932 to 1936, episodes were 15 minutes long and varied in frequency from two to five times a week. From 1949 to 1955, episodes were 30 minutes long, airing three to five times per week. In 1949, Rice (who had become production manager for Mutual) explained the reason for lengthening episodes: "Here we have taken a show that was a highly successful 15 minute strip back in 1932. It ran for five years commercially and sold a lot of cereal. We have modernized it into a half hour complete feature story. We recognize that "cliffhangers" for boys and girls are outdated. We know our juvenile audience has been conditioned to expect a well-constructed thirty minute drama."

Space Patrol:

Space Patrol is a science fiction adventure series set in the 30th century that was originally aimed at juvenile audiences of the early 1950s via television, radio, and comic books. It soon developed a sizable adult audience, and by 1954 the program consistently ranked in the top 10 shows broadcast on a Saturday.

The Space Patrol television show began broadcasting March 9, 1950, as a Monday-through-Friday 15-minute show on a local Los Angeles station, KECA. On December 30, 1950, the American Broadcasting Company (ABC) added a half-hour version of the program to its Saturday schedule. It became an overnight sensation, and the new weekly show and the 15-minute shows continued concurrently on a local basis. It was seen via kinescope syndication in other cities. A 1953 30-minute episode was the subject of the first U.S. experimental 3D television broadcast on April 29 in Los Angeles on ABC affiliate KECA-TV.

The series made history by being the first regular live West Coast morning network program beamed to the East Coast. At the time, it took an intricate network of cable and relay stations to accomplish this enormous task.

The ABC television Space Patrol broadcasts became one of the nation's first mass media phenomena, and an ABC radio companion series was developed. The radio program was also popular and ran from September 18, 1950 until March 19, 1955 producing 129 thirty-minute episodes.

The televised Space Patrol aired continuously until July 2, 1954; after a short break, it reappeared on September 4, 1954, before finally disappearing from the air on February 26, 1955. 210 half-hour shows and close to 900 15-minute shows were made over Space Patrol's 5-year run. The sponsors included Purina/Ralston and Nestles.  Very few of them survived.

The stories followed the 30th-century adventures of Commander-in-Chief Buzz Corry (Ed Kemmer) of the United Planets Space Patrol and his young sidekick Cadet Happy (Lyn Osborn), as they faced interplanetary villains with diabolical schemes. As was common at the time, some of these villains had Russian- or German-sounding accents. Cmdr. Corry and his allies were aided by such sci-fi gadgets as ray guns, "miniature space-o-phones" and "atomolights". Most episodes carried such pulp-magazine titles as "Revolt of the Space Rats" and "The Menace of Planet X". Originally, the Space Patrol's purpose was that of "clearing the space lanes" but it evolved into an intergalactic space police and military force charged with keeping the peace. The show was originally pitched as a cop show in outer space. Latter day comparisons between Space Patrol and the later Star Trek film and television series were inevitable.

The show was targeted to children, but attracted a sizable adult audience. Many episodes featured commercial tie-in merchandise, like toys and mail-order premiums, that were advertised during commercial breaks. Many of the ads for corporate sponsor Ralston Purina's Chex cereals used the show's space opera motif in their pitches. A unique feature of the TV and radio adventures was that the premium of the month was often worked into the story action. This permitted young viewers to feel that they were participating in the radio or televised adventures. Space Patrol's best known premium was a "Name the Planet" contest wherein the winner was awarded the program's Terra IV spaceship. The prize was a giant trailer in the shape of the series' space craft. One of the many "Name the Planet" commercials may be viewed online.

And more Bonus Radio Shows:

As a sampler of our old time radio library, we are including these classic old time radio shows on this DVD-ROM at no extra charge: